"The Day After Everything Changed" musings part 2
Thursday, November 05, 2009
The songs here all could have been done acoustically and it still would of been a decent record. But we decided to follow through with what the songs were asking from us as far as mood, tone, and production goes. They were all little screen plays. We had to think how to present each one cinematically; We wanted people to see the songs in their heads, not just hear them. Rose Tattoo is an intimate song about a man and his wife struggling financially. So we wanted it spare-- sparse acoustics, hushed vocals, a single female voice singing with me- accordion and gentle guitar lines. Something like the Lights of Vegas was more dramatic because it's a scene of desperation. So Big drums, loud electrics sweeping vistas, sparse lyrics, image driven rather than literal. We weren't afraid to make it stadium anthem big. Then comes the dilemma of how do you place these sparse songs against a stadium song?
We relied on my vocal. Having it always on top of the production so its tone would carry into each song and you wouldn't feel a whiplash effect from the genre hopping. Most listeners are breaking the albums down into an i-pod mp3 player these days, so maybe that wouldn't matter as much. But we wanted people to enjoy the whole CD as a single listen, so continuity was important between songs.
The main thing when recording songs is that they be emotionally real- you can lose that in any part of the process from the lyric to the melody to the performance and production. You have to bring out the best in the song in the studio, and I feel like I've never had so many songs on one recording do that.
Balancing light and dark: I wanted people to have joy be the predominate reason for putting the CD on- so I started it with the more uplifting songs. Every album that I respond strongly to brings people to the darker corners of their lives and so, we eased into the heavier songs as the record went on. "The Day After Everything Changed" is poetic-about a fading relationship- so the imagery is about that- cracks in a window pane, leaves falling, iron rusting, it was cathartic to write and I hope people can apply it to the tough times in their lives. A song can partner with you, like a mantra, of sorts, an affirmation to move on and that you're gonna be okay.

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Ellis Pond and Ellis PaulWednesday, November 25th 2009 8:24PM
My future wife and I are planning a summer wedding at Ellis Pond, ME with nothing but Ellis Paul playing during our ceremony. Take All the Sky You Need is appropriate for us, since this will be a second marriage for each of us. We saw Ellis in concert at LL Bean and have been in love with his music ever since.
Dianna - Pawtucket showFriday, September 18th 2009 8:34AM
Ellis, you were right when you told us that this album was "your best stuff yet." Absolutely beautiful. My mom just called; she's loving her copy, and loving that it was signed, so thank you.
Hope all is well - Kevin and I enjoyed meeting you at Pawtucket, and making the Coolidge Corner apartment connection!
Best,
Dianna
Sonya FeherThursday, September 17th 2009 11:25PM
I'm loving getting to read about your process and your thoughts on the album. Keep musing.
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MonicaR.Tuesday, September 15th 2009 2:42PM
Reading this while listening to the CD for the 9 millionth time. I may wear it out before your October Passim shows! The CD is a gem, Ellis, a perfect, beautiful, sparkling gem!
the songs as screenplaysTuesday, September 15th 2009 1:01PM
Enjoying the new album!
Interesting you bring up screenplays - I have one beginning to form in my head for the song "Heaven's Wherever You Are." The first few listens of the song got a positive response, but I just kept thinking about how the title/chorus could mean - for the narrator, heaven is wherever the other person happens to be...or it could mean that for all of us, heaven is where we are -- all around us.
Then after several listens, the story appeared…it has been brewing like a storm on the horizon for some time now and it comes with lots of images - the most interesting/entertaining is Ellis Paul as one man band (when the horns come in) - in my mind Ellis is playing the horn, guitar at the ready, harmonica poised in its holder, cymbals between his knees...you get the idea...
Makes me smile every time!
Thanks for the music!!!
Christy (in Texas)
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